The 30 Best New Movies Streaming on Netflix Right Now

Credit: Godzilla Minus One/Toho

Other streamers, especially those with close corporate ties to major movie studios, might reel in a few more major theatrical releases than Netflix. Where Netflix outshines them, however, is in its slate of original movies produced specifically for the streaming service. At a glance, it might seem as though the streamer emphasizes quantity over quality, but they've released nine Best Picture Academy Award nominees since 2019. Oscars aren't everything, of course—but they're not nothing, either.

Here, then, are some of the best recent movies streaming on Netflix, whether wide theatrical releases you might have missed, or originals.

Godzilla Minus One (2023)

This one's a tiny bit of a cheat, as it technically came out in 2023...but most of its North American run happened in January, so we're going to count it. The American Godzilla movies have been doing a very effective job by taking an entertaining more-is-more approach, but Godzilla Minus One makes clear that Japanese filmmakers will always have a deeper connection with the kaiju king. A prequel, of sorts, to the original 1954 film, this one finds kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) encountering Godzilla multiple times over the years following World War II. That trauma, going back to that first movie, lends this one an emotional weight. Nearly as important, the masterful visual effects make Godzilla scary again. One of the very best in a series with plenty of movies to choose from.

Hit Man (2024)

Glen Powell (who co-wrote the film alongside director Richard Linklater) stars as Gary Johnson, a withdrawn New Orleans professor who's roped into a side gig at which he's surprisingly good: He impersonates hired assassins for the police. People looking to hire a killer come to Gary, believing that he's a hit man, only to find that they've been entrapped. Things get complicated (in a darkly comedic way) when he's approached by Madison (Adria Arjona) to bump off her abusive husband, and he's suddenly not so clear as to whose side he's on.

Under Paris (2024)

I'm not sure that this shark-themed disaster movie is going to pick Netflix up any new Oscar nominations...but we ain't always here for all that. This is an aggressively fun (and very French) update on Jaws that sees a killer mako shark loose first in the Seine and then the catacombs...under Paris. An Olympic qualifying event is about to occur in the city which, of course, the mayor won't call off inspite of the danger. And the deaths. There's some stuff here about environmental catastrophe, but mostly it's just a bone-chomping good time.

Society of the Snow (2023)

The true story of the 1972 Uruguayan rugby team lost in the Andes following a place crash has been the subject of multiple documentaries and two previous dramas. For all that, this would seem to be the best of all of them: a thoughtful and tasteful take on what's sometimes been presented as a salacious drama, with director J. A. Bayona emphasizing both the physical perils faced by the team, but also the spiritual toll of survival.

Shirley (2024)

John Ridley (screenwriter of 12 Years a Slave) directs this rather necessary biopic of sometimes-forgotten pioneer Shirley Chisholm. The first Black woman elected to Congress (in 1969), Chisolm ran a forcefully progressive campaign for president just three years later. Even if the movie is a bit formulaic, Regina King (perhaps unsurprisingly) gives a moving, powerhouse performance in the title role.

Outstanding: A Comedy Revolution (2024)

We often treat comedy as pure entertainment but, of course, at its most meaningful, it's more than that: It can be healing, and it can be destructive in the best possible way, serving as an agent of change. Outstanding charts nearly a century of queer comedy and its power for individuals and as an essential part of the LGBTQ movement. Prominently featured is Robin Tyler, one-half of a "sister" act in the 1960s who ultimately became the first lesbian or gay comic to come out on TV, and later became a central figure in queer liberation. Lily Tomlin, Wanda Sykes, Billy Eichner, Margaret Cho, Suzy Izzard, and Joel Kim Booster are just a few of comics on hand to tell their stories.

Ultraman: Rising (2024)

This Japanese-American co-production reboots the beloved franchise with help from director Shannon Tindle and co-writer Marc Haimes (both of Kubo and the Two Strings). Here, professional baseball player Ken Sato returns home to Japan when he inherits the mantle of Ultraman from his retired father. There's plenty of family-friendly action and some really lovely animation, but the movie's real selling point is in its emotional arc: The egotistical Sato needs to reconnect with his distant father while, at the same time, he becomes the unwilling father of an orphaned child (well, kind of a child...).

Mea Culpa (2024)

Tyler Perry's latest is a steamy legal thriller with Kelly Rowland as a defense attorney who takes the case of an artist (Trevante Rhodes) accused of killing his girlfriend—Rowland's character's name is actually Mea, which probably tells you all you ned to know about this blend of silly and sexy. Her husband's Kal's been cheating on her, and her brother-in-law is the prosecutor, and there seems to be some sort of larger political scheme at play. It's all a bit of juicy fun.

Thelma the Unicorn (2024)

Brittany Howard leads an all-star voice cast including Will Forte, Jemaine Clement, Edi Patterson, Fred Armisen, Zach Galifianakis, Jon Heder, and Shondrella Avery in this cute family-friendly story of a farm pony with big dreams of music stardom. Fun soundtrack, too.

Remembering Gene Wilder (2024)

Gene Wilder serves as the posthumous narrator of this smart, accessible introduction to the life and career of the actor and comedian: using the audiobook of his biography as a basis, as well as archival clips and interviews with friends and collaborators (Mel Brooks is, naturally, prominently featured). With Wilder himself to guide us along, it's a good reminder of the long career and impressive range of one of our finest and funniest actors.

Madame Web (2024)

Nobody's here to make the case that Madame Web is a work of misunderstood genius...but it is a contender for unintentional camp classic. The hyperbole surrounding its release saw it as a herald of the end times for superhero movies, but the Dakota Johnson-lead film is honestly a lot more fun (endless "ironic" product placement and all) than many of its more serious, better-reviewed contemporaries. Sit back, grab a Pepsi, and hang out with some less reputable spider-people.

Black Barbie (2024)

Writer and director Lagueria Davis pays tribute to her aunt, Beulah Mitchell, who worked at Mattel for decades and became instrumental in the development of the first Black Barbie, designed by Kitty Black Perkins and released in 1980. 1980! The doll was such a success that it inspired a world of more diverse toys, not just at Barbie, and generally changed the face of the toy industry. This brisk documentary, from Shondaland, makes a great case for the importance of dolls, play, and representation.

The Greatest Night in Pop (2024)

Telling the story of the night that the biggest pop stars of the 1980s (well, except Madonna) got together to record "We Are the World" for charity, The Greatest Night in Pop reunites several of the famous voices (Lionel Richie, Bruce Springsteen, Huey Lewis, Dionne Warwick, and Cyndi Lauper) who were there to tell the story. The recording itself is an interesting story, of course, but a big part of the fun here is remembering a world in which you had to assemble all of these people on short notice without cell phones. The logistics are positively harrowing.

Thanksgiving (2023)

Patrick Dempsey stars in this funny but bleak satire from Eli Roth, his first horror film since 2013. When an unruly mob storms a Walmart (sorry: RightMart) on Black Friday, violence and bloodshed ensue, leaving one of the victims of the incident to seek revenge. It's wild and gory holiday fun.

Anyone but You (2023)

A loose spin on Much Ado About Nothing, Anyone But You stars Sydney Sweeney and Glen Powell as a couple who meet, hit it off—and then immediately piss each other off such that neither really wants to see each other again. Until, of course, they need wedding dates and find themselves surrounded by scheming friends. It's not wildly out there as rom-com premises go, but this one's briskly directed and boasts strong chemistry between the leads.

Orion in the Dark (2024)

Charlie Kaufman (Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind) wrote this DreamWorks animated adaptation of the Emma Yarlett novel. When Orion is visited by the literal incarnation of his fear of the dark, he's taken on a whirlwind journey around the world to explore the world of night and help him to face his fears.

Damsel (2024)

Netflix's favorite action lead, Millie Bobby Brown, is back in this dark fantasy from director Juan Carlos Fresnadillo (28 Weeks Later). Brown plays Elodie, the damsel of the title, offered into an arranged marriage by her family, only to discover that she's marked as the sacrifice to a dragon. Which turns out to be bad news for her new in-laws.

Rebel Moon, Parts One and Two (2023/2024)

Zack Snyder, late of the entire DC cinematic universe, isn't to everyone's taste—but his Army of the Dead, also for Netflix, was a fun spin on the zombie formula, done as a heist movie. His followup is pure science fiction: a multi-part (it's unclear how many parts that will be) space opera that blends Snyder's distinctive visual style with Star Wars-style action. Sofia Boutella stars as a former soldier who rallies warriors from across the galaxy to join in a revolt against the imperial Motherworld on the title's out-of-the-way farming moon.

The Wonderful Story of Henry Sugar (2023)

This short adaptation of the Roald Dahl story finally earned Wes Anderson his first Oscar. Benedict Cumberbatch stars as the titular Henry Sugar, a man who uses his inherited fortune to fund his gambling habit. When he learns of a secret means of winning by seeing through the eyes of others, he comes to perceive more than he, perhaps, bargained for. It's cute and sweet, and among one of Anderson's most visually inventive works (which is saying quite a bit). At 39 minutes, it never has time to wear out its welcome—even if you're not a huge fan of Anderson''s twee sensibilities. Ralph Fiennes, Dev Patel, Ben Kingsley, and Richard Ayoade also star.

American Symphony (2023)

Director Matthew Heineman's film follows a year in the lives of writer Suleika Jaouad and her husband, musician Jon Batiste, during which she confronts a recurrence of a rare form of leukemia while he constructs his first symphony. It's a moving film that goes beyond the obvious tropes to make the case that there are things that only music can say. It had a lot of Oscar buzz, while receiving just a single nomination for Best Song.

Scoop (2024)

The great Gillian Anderson plays real-life British journalist Emily Maitlis, who lead the BBC2 team that secured the disastrous (for the Prince) interview with Prince Andrew (Rufus Sewell) that laid bare his associations with sex trafficker Jeffrey Epstein. Keeley Hawes and Billie Piper also star.

May December (2023)

Todd Haynes directs this insightful and moving, but also deliberately campy, story of an actress visiting the woman whom she'll be playing in a film. The movie's deft, and unexpected, blending of tones makes it pretty consistently fascinating, and the lead performances from Natalie Portman, Julianne Moore, and Charles Melton are all top-tier.

Nyad (2023)

Annette Benning stars as the real-life Diana Nyad, who swam from Florida to Cuba in her 60s. The movie succeeds in large part because of the performances from and chemistry between lead Annette Bening and Jodie Foster, both of whom received Oscar nominations for their work here.

The Killer (2023)

David Fincher's latest didn't seem to generate his typical buzz, perhaps because it's so thoroughly action-oriented (a far cry from his last Netflix original, the screenplay-writing drama Mank). Michael Fassbender plays the movie's nameless hitman protagonist, a fastidious and ruthless killer who makes the first mistake of his career—accidentally shooting the wrong person—and then finds his carefully managed life crumbling faster than he can keep up.

Rustin (2023)

Colman Domingo gives a stellar performance (earning a Best Actor Oscar nomination) as the title's Bayard Rustin, the gay Civil Rights leader who planned the March on Washington. Not only is it a corrective to our very straight-centered vision of the Civil Rights Movement, it's a stylish and moving biopic in its own right.

Leave the World Behind (2023)

Look at this cast: Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la Herrold (Industry), and Kevin Bacon are all on hand for this apocalyptic thriller that has that Bird Box vibe without the alien implications—the monsters here are all human. As technology begins to inexplicably fail, our protagonists find themselves in a last-days-of-America scenario, including a scene of self-driving Teslas run amok. It's occasionally a little on the nose, but still a pretty compelling thriller.

City Hunter (2024)

The City Hunter manga, about the titular detective agency, has been adapted several times in the past, with very mixed results. This latest looks like it might be the best: a candy-colored, high-action, appropriately goofy take starring Ryohei Suzuki as lead detective Ryo Saeba and Misato Morita as the daughter of his murdered partner, with whom he teams up to avenge that death and to find a missing teenage runaway with deadly superpowers.

Spaceman (2024)

Adam Sandler stars here in one of his occasional dramatic roles, here as a Czech astronaut coming to terms with the potential dissolution of his marriage. At the edge of the solar system. With some help from a spider-like alien creature trying to understand humanity. Carey Mulligan and Isabella Rossellini co-star.

Chicken Run: Dawn of the Nugget (2023)

If it's not entirely on the same level as the Aardman-animated original from way back in 2000, it's still a delightful and cheeky return from the escapees from Mr. and Mrs. Tweedy's Farm. Thandiwe Newton leads the impressive voice cast.

Down the Rabbit Hole (2024)

The House of Flowers creator Manolo Caro directs this quirky and thoughtful drama about meticulous, fussy kid Tochtli (Miguel Valverde), living in a palatial estate somewhere in rural Mexico. He's old enough to start questioning his wildly privileged and sheltered life, slowly discovering that his father Yolcaut (Manuel Garcia-Rulfo) is a major, well-connected drug lord. It's a quietly stylish drama that avoids taking any obvious routes.